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Objektive adaptieren

Adapting / Scanning

For some years now, I have been adapting lenses designed for analog photography, mostly with manual focus, to mirrorless Sony cameras when I need the advantages of digital photography. This gives me access to an almost infinite selection of lenses from various manufacturers. It is also possible to use newer lenses from the Canon EOS system. Even medium format lenses can be adapted, as the example of the Carl Zeiss CB Tessar 4.8/160mm T* shows.

Here you can see other possible combinations:

If I take pictures with analog systems, the ones that are most interesting for me or the ones that I like best are scanned.

To this comes z. The Epson V850 scanner is currently in use.

 

Photography should be fun - so for me there is no BEST system. It doesn't matter to me how pictures are created. Analog or digital, analog small picture or analog sheet film, digital reflex camera, mirrorless digital camera, digital or analog compact camera or a scanned slide - all types of recording technology complement each other and have their justification. If I need the results easier or faster, then digital cameras are used, but if I want to feel the charm of the last millennium, enjoy the feel of solid metal and glass, then nothing beats analog photo equipment for me.

Here you can see other possible combinations:

 

It doesn't matter what you take pictures with, the main thing is that you take pictures.

apertureonepointfour, 2020

Sony A7III mit M42 Adapter.jpg

Sony A7III

A mirrorless digital full format camera with a sensor size of 24x36mm - my first choice for adapting lenses calculated for analog photography.

Sony A7III mit E39 auf Sony E AdapterEB.jpg

Sony A7III

Here with an Ernst Leitz Wetzlar 4/9 cm (4 / 90mm) lens on an E39 to Sony E adapter.

Sony A7III mit M39 Adapter

Sony A7III

Again the 4 / 9cm Ernst Leitz Wetzlar lens. The picture shows the retractable lens hood, which can be adjusted to different focal lengths.

Sony A7III mit Canon FD Adapter

Sony A7III

my favorite analog 35mm system: Canon FD - here the 3.5 50mm Macro on the Sony A7III.

I use numerous FD lenses, both analog and digital.

Sony A7III Canon EF 5,6 100-300mm L Sigma MC11

Sony A7III

For a long time I was looking for a cheap, but optically very good 100-300mm zoom.

Although I was doing an apprenticeship in photo retail in the late 80's, I didn't think about this lens. It will now be my standard telephoto zoom for landscape photography.

Sony A7III mit OM Adapter 01 WEB.jpg

Sony A7III

Olympus OM lenses - a good choice for adapting; here the OM G. Zuiko Auto-W 3.5 21mm

Olympus OM lenses designed for analog photography are characterized by their high-quality workmanship and small dimensions.

Sony A7III Canon EF 5,6 100-300 L Sigma MC 11 adaptiert

Sony A7III

In conjunction with the Sigma MC 11 lens adapter, this lens works flawlessly on the Sony A7III - even with Eye-AF!

Sony A7III mit V-Objektivadaper Carl Zeiss CB 4,8 160mm T* Hasselbald

Sony A7III

Lenses for the medium format can also be easily adapted. Here the Carl Zeiss CB 4.8 160mm T * for Hasselbald.

Canon EF 3,5-4,5 50-200 mm L Canon EF 5,6 100-300 mm L

Sony A7III

Here you can see another, older Canon EF "L" zoom from the early days of the EF system: Canon EF 3.4-4.5/50-200mm L - that's what I thought when I bought it!

Unfortunately, I became skeptical when I saw the many infrared markings on the distance settings - too much for a highly corrected lens! And indeed: the red "L-ring" was only glued on. I was just too greedy, because the lens was damn cheap and I was blinded by the red ring!

Today I show you the cheapest Canon EF L lens for your Sony A7III or other Sony A-cameras. And it will work via Sigma MC11 adapter. Autofocus is possible, even Eye AF. But it`sa rather old lens, I plan to use it for landscape photography mainly. If you like this zoomrange, you need (or want to) and you are not into sports photography...go for it!! Optical it delivers very sharp and crispy images.

 

For a long time I was looking for an affordable zoom with a focal length of 100-300mm. And just as long I forgot about the lenses from the early days of EF lenses, although at that time as a young man I did my first training in the photo trade and therefore knew these lenses well. For my last vacation in Norway, I got the Minolta AF 4.5-5.6 100-300mm APO and adapted it to my Sony A7III - but I wasn't happy with this lens because of its modest imaging performance. Then I saw it: an "L" lens for under 200 euros? Plus a 100-300mm telephoto zoom? I thought about it only briefly and bought this lens at an auction.

If I take photos with analog systems, the ones that are most interesting for me or the ones that I like best are scanned.

To this comes z. The Epson V850 scanner is currently in use.

Photography should be fun - so for me there is no such thing as the BEST system. It doesn't matter to me how pictures are created. Analog or digital, analog small picture or analog sheet film, digital reflex camera, mirrorless digital camera, digital or analog compact camera or a scanned slide - all types of recording technology complement each other and have their justification. If I need the results easier or faster, then digital cameras are used, but if I want to feel the charm of the last millennium, enjoy the feel of solid metal and glass, then nothing beats analog photo equipment for me.

No matter what you take pictures with,

The main thing is that you take pictures!

Nikon F501 mit Ilford XP2 super

Epson V850

SilverFast AE Studio 8 software

This picture was taken with the Nikon F501 and the Nikkor AF 3.5-4.5 / 35-70mm on an Ilford XP2 super; scanned with Epson V850.

Nikon F501 mit Ilford XP2 super

Epson V850

SilverFast AE Studio 8 software

This picture was taken with the Nikon F501 and the Nikkor AF 3.5-4.5 / 35-70mm on an Ilford XP2 super; scanned with Epson V850.

Nikon F501 mit Ilford XP2 super

Epson V850

SilverFast AE Studio 8 software

This picture was taken with the Nikon F501 and the Nikkor AF 2.8 / 70-200mm on an Ilford XP2 super; scanned with Epson V850.

Scan Epson V850
Minolta X500 Kodak Porta 400

Epson V850

SilverFast AE Studio 8 software

Minolta X500 - part of a camera system that I didn't pay much attention to for decades. My perspective changed when I looked through your viewfinder again ... WOW ... so bright thanks to the Acute Matte focusing screen!

Minolta X500 Kodak Porta 400 0014 WE

Epson V850

SilverFast AE Studio 8 software

As in the picture on the left, a Minolta X500 with a Minolta MD 1.4 50mm was used.

Minolta X500 Kodak Porta 400 0007 WE

Epson V850

SilverFast AE Studio 8 software

As before, Minolta X500 with Minolta MD 1,4 50mm, scan with Epson V850.

After purchasing this miniature camera, I fitted it with new light seals, currently one of my favorite cameras (hey, Canons, you are still in the first place).

Minolta X500 Kodak Porta 400 0011 WE

Epson V850

SilverFast AE Studio 8 software

Minolta X500

The MD 1,4 50mm cuts a fine figure.

Minolta AF 9000 Scan with Epson V850

EPSON V850

SilverFast AE Studio 8 software

 

Taken with the Minolta 9000 AF and the Minolta AF  4-4.5 28-135mm

Minolta X500 Kodak Porta 400 0002 WE

Epson V850

SilverFast AE Studio 8 software

Minolta X500 - a recommendation from me - also very suitable for entry into analog 35mm photography. Easy to use, but one camera that has everything the photographer needs!

Canon F1n Fuji X-Tra 400 Canon FDn 3,5 50mm Macro Auto Bellows

EPSON V850

SilverFast AE Studio 8 software

 

Taken with the Canon F1n, bellows and Canon FDn 3.5 50mm macro

Minolta X500 Kodak Porta 400 0006 WE

Epson V850

SilverFast AE Studio 8 software

Unfortunately not my property.

Canon F1n with Auto-Below and Canon FD 3,5 50mm Macro

EPSON V850

SilverFast AE Studio 8 software

 

Taken with the Canon F1n, bellows and Canon FDn 3.5 50mm macro

Anker 1
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