Kodak Motion Picture Film. My standard film for the 35mm format. This film is available from different manufacturers and with different film sensitivities and with a color temperature adjustment for daylight or artificial light (the artificial light films with correction filter 85B, corresponds to KR 15, can also be used in daylight without color shifts).
These films are e.g. B. through a large auction house, from various sellers in Great Britain or from silver salt.
The company Silbersalz, based in Germany, offers the films including the necessary special development in the ECN-2 process and 21.4 MB scan at a very attractive all-inclusive price (as of July 2021). Have a look there, it's worth it!
The film is also available from other suppliers as 120 roll film. Please note that the films cannot be developed in the standard C-41 process for color negative films. Some providers also only develop the films they have made themselves.
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Legend
KB 35mm or referred to as KB 135mm
35mm films in light-tight cartridges, which are inserted into appropriate cameras, for example 35mm SLR cameras of the Canon FD system, such as Canon F1, F1n, AE1, AE1 program, AV1, Ftb, EF, T50, T60, T70, T80, T90 all with FD lens bayonet or
of the Canon EOS system, such as Canon EOS 650, EOS 620, EOS 600, EOS 1, EOS 1n, EOS 1v - of course numerous other manufacturers also made 35mm SLR cameras, but my favorite system is the Canon FD system if it is is about analog 35mm photography.
35mm rangefinder cameras also use this type of film; the best-known example is certainly the analog Leica M system with cameras such as Leica M2, M3, M4, M4-2, M4P, M5, M6, M6 TTL, M7 or Leica MA.
These systems allow exposures that result in a slide or a 35mm negative in the format 24mm high and 36mm wide (24x36mm).
There are also various special camera models or special magazines for film recording for medium format cameras that expose a wider piece of film, for example 24x54 mm.
Rollfilm 120
These films are used in medium format cameras. Depending on the choice of camera and / or film magazine, they result in an exposed slide or negative in the sizes 4x4cm, 4.5x6cm, 6x6cm, 6x7cm, 6x8cm, 6x9cm or even 6x12cm, whereby the number of possible recordings on a film is the size of the recording format is.
Special forms of roll films 220
Roll film 220 corresponds to the 120 roll film, but it eliminates twice the length, so that the number of possible recordings is doubled. This size is hardly produced anymore.
Special forms of roll film 127
The 4 × 4 recording format for 127 film, which was very popular and widespread in the last century, especially in the 30s to 60s, has hardly played a role in recent times. This roll film, which was exactly 4.6 cm wide, was made up as roll film and wound onto a spool. Kodak introduced this film in 1912.
Sheet film
Film material for large format photography. These films can be compared with sheets which (with the exception of one special shape) have to be inserted into light-tight sheet film cassettes in absolute darkness. The films are available in sizes 4x5 ", 8x10" or 10x24 "(1 inch is 25.4mm).
Here you will find a small compilation of the film materials available today from the companies
Fuji and Kodak
Fujifilm offers e.g. The following color negative films for analog photography are currently available (November 2020):
Fujicolor C200
ISO 200 film for sunlight or flash. Highly flexible film with enhanced color reproduction, sharpness, and smooth, fine grain.
ISO 200
Overview
Designed for flexibility and ease of use, SUPERIA 200 works equally well outdoors in daylight or indoors with flash. Enhanced color reproduction, sharpness, and smooth, fine grain.
Features
Enhanced skin tones
The perfect choice for natural looking portraits or group shots.
Further refined sharpness
The kind of image quality and clarity you expect from ISO 100 films.
Wide exposure latitude
Excellent results under a wide range of daylight conditions.
Sensitivity and Film Sizes
ISO: 200
Film Sizes: 135: 24, 36 exp
Fujicolor Pro 400H
Update January 2021: Fuji stops producing this film. According to Fuji, there are difficulties in producing the carrier layer.
The Fujicolor PRO 400 H is a fine-grain daylight color negative film of the latest generation for professional use. In addition to natural skin tone reproduction and exact color reproduction, it offers an even gray balance.
High ISO speed of 400
Higher effective film speed and finer grain.
Wide exposure latitude
Faithful reproduction of neutral grays over a wide exposure range from underexposure to overexposure.
Superb skin tone reproduction
Superb skin-tone and hue reproduction with continuously smooth gradation from the highlights to the shadows without any washout.
Excellent three-dimensional appearance
Clearer colors in the highlights and appropriately controlled color saturation in the shadows to allow rendering of subjects with a feeling of three-dimensional realism.
Faithful color reproduction
Faithful color reproduction of scenes under a wide variety of lighting.
Addition of single-channel suitability
Negative density level unified with other PRO series films for maximum printing uniformity and efficiency
Fujifilm offers e.g. Currently the following color slide (color reversal) films for analog photography:
Fujichrome VELVIA 50
The new Fujichrome Velvia 50 Professional is a slide film of the absolute top class. The film achieves the same RMS value as the Velvia 50.
The RVP50 is a daylight reversal film with an RMS value of 9 and an ISO sensitivity of 50/18 °. A film that is characterized by its ultra-fine grain, extreme image sharpness and natural, highly saturated color reproduction. It has a high-contrast rendition of all tone values with a fine differentiation from the highlights to the shadows at the same time.
The new Fujichrome Velvia 50 is the first choice in the fields of fashion, product, art, landscape and science photography.
Available as 35mm, roll and sheet film
Sensitivities daylight ISO 50/18 °
Special properties Ultra-fine-grained, excellent sharpness, very high color saturation
Areas of application: fashion, product, art, landscape and scientific photography
Long exposure corrections Exposure compensation not required at 1/4000 (sec.) - 1 (min.)
Processing procedure CR-56, E6
Assembly (small picture) 135-36
Packaging (roll film) 120 (5) per pack
Assembly (sheet film) 4x5 inch (20)
Vibrant Color Reproduction / Rich Color Tone Depiction
Vivid skin tone reproduction with the world's highest color saturation equal to that of the current Velvia. Superb color tone depiction for rich color reproduction.
Fine Grain Quality / High Definition / High Resolving Power
Superb grain quality, vibrancy and resolving power, as with the current Velvia.
Neutral Grays and Excellent Deep Shadows
Fine neutral gray reproduction from the highlights to the shadows.
Superb push / pull processing
Minimum color balance variation over a range from -1/2 to +1 stop to enable wider photo opportunities. Also allows fine adjustments of exposure and density to be easily done during processing
Fujichrome VELVIA 100
The Velvia 100 (RVP 100) Professional uses new technologies that enable a finer grain and a doubling of sensitivity. The color saturation and color rendering of the Velvia 50 are retained.
The Velvia 100 uses new technologies that allow a finer grain and a doubling of the sensitivity. The color saturation and color rendering of the Velvia 50, which have made it a reference film for landscape and nature photographers, are retained. The Fujichrome Velvia 50 has been in production since 1990 and has been popular with professionals and ambitious amateurs alike. Since then, photographers have wanted a more sensitive Velvia film. Advances in emulsion technology have now made it possible to produce a slide film with the color characteristics of the Velvia 50, which has twice the sensitivity with finer grains. The new generation of the Velvia 100 should therefore not only appeal to photographers who expect the special color saturation typical of Velvia, but at the same time offer them a product in which the current state of the art has been implemented.
Data
Sensitivities daylight ISO 100/21 °
Special properties Ultra-fine-grained, excellent sharpness, very high color saturation
Areas of application: fashion, product, art, landscape and scientific photography
Long exposure corrections Exposure compensation not required at 1/4000 (sec.) - 1 (min.)
RMS granularity value 8
Processing procedure CR-56, E6
Assembly (small picture) 135-36
Packaging (roll film) 120 (5) per pack
Assembly (sheet film) 4x5 inch (20)
Specifications are subject to change without notice.
ISO 100 speed
Easy-to-use ISO 100 rating with the world's highest level of color saturation.
Ultra-high-saturation color reproduction
Attainment of the world's highest color saturation level equal to that of Velvia (ISO 50) through the incorporation of new cyan, magenta and yellow couplers.
Super fine grain
RMS granularity of 8, one of the finest levels.
Color Image Storage Permanence
Color image storage permanence (anti-fading characteristics) equal to that of RVP 100F as a result of new couplers.
Superb push / pull processing suitability
Minimum variation in color and gradation during push / pull processing over a range from -1/2 to +1 stop, providing an expanded range of phototaking opportunities, as well as facilitating fine adjustments in exposure and density during processing and allowing an increase in speed of up to +2 stops (equal to EI400), depending on the scene.
Grade:
RMS stands for “Root Mean Square”, a widely used standard method for measuring the degree of grain in photographic film. The lower the RMS number, the smaller the apparent grain.
Fujichrome PROVIA 100F
The Provia 100 F Professional (RDP III) is a medium-sensitive daylight reversal film ISO 100/21 ° with exceptionally fine grain, lively color reproduction, extensive tonal value reproduction and extremely neutral gray balance.
The Provia 100 F Professional (RDP III) is a very high quality color reversal film for daylight with a sensitivity of ISO 100/21 °. With very fine grain (RMS granularity value of 8) and extremely high sharpness, it captures details with excellent clarity, while it is equipped with rich gradation, lively and lifelike color rendering and optimal gradation balance. These properties make the Provia 100 F the ideal film for high-end processing through to the finished printed image.
Data
Sensitivities daylight ISO 100/21 °
Special properties Very fine grain, very good gray balance. The film for high-end processing through to the finished printed image
Areas of application For professional applications, from product and outdoor photography to fashion and portrait photography. The ideal film for high-end processing through to the printed image
Assembly (small picture) 135-36
RMS granularity value 8
Processing procedure CR-56, C6R, E6
Assembly (small picture) 135-36
Packaging (roll film) 120 (5) per pack
Assembly (sheet film) 4x5 inch (20), 8x10 inch (20)
Specifications are subject to change without notice.
Super fine grain
Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films.
Vivid and Faithful Color Reproduction
Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application.
Rich Tone Reproduction
Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity.
Improved Reciprocity Characteristics
Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance.
Excellent push / pull processing
Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations in color balance and gradation.
E-6 / CR-56 * / C6R ** Processing
As with other FUJICHROME film, worldwide processing available using E-6 / CR-56 / C6R chemicals.
Notes:
* CR-56 is Fujifilm processing system equivalent to E-6 processing.
** C6R is Fuji / Hunt processing system equivalent to E-6 processing.
RMS stands for “Root Mean Square”, a widely used standard method for measuring the degree of grain in photographic film. The lower the RMS number, the smaller the apparent grain.
Kodak offers e.g. The following films for analog photography are currently available (November 2020):
A Kodak brochure describing all films can be downloaded here:
Nice service from Kodak:
