
Unmounted color reversal film
35mm Slide Film
with a Frame Size of 24x36 mm
Slide film, color reversal film, or transparency film (derived from the Ancient Greek dia, δία, "through") is a photographic film that displays tones and colors in their natural, positive state once processed.
Typically, slide films are used to project the captured images onto a screen using a slide projector. For this to happen, the individual frames must first be mounted into slides.
A standard roll of 35mm slide film offers 36 exposures, though 24-exposure rolls are occasionally found.
In the processing lab, unmounted film is typically cut into strips of 5 or 6 frames. Up until a few years ago, labs also offered the option to automatically mount the individual slides into cardboard or plastic frames during processing.
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Mounted color reversal film
For projection, both glassless mounts (as seen in the example below) and glass slide mounts are used. With glass mounts, the slide is sandwiched between two panes of glass, much like a picture hanging on a wall. The main advantage of glass mounts is that they ensure perfect flatness of the film during projection. This prevents the slide from buckling under the heat of the projector lamp, resulting in uniform sharpness across the entire screen.
Disadvantages, however, included the higher cost of these mounts, the risk of trapped dust particles, and the formation of Newton's rings.
To prevent these colorful distortions, slides can be mounted using special Anti-Newton glass (AN glass). Newton's rings (named after Isaac Newton) appear as light-and-dark zones or rainbow-like interference patterns. They occur due to light wave interference within the tiny air gap between two highly reflective, nearly parallel surfaces—specifically, the smooth film base and the glass pane.

While the selection of color slide films is limited, it is entirely sufficient for practical analog photography.
Anyone wanting to experience the magic of genuine color slides today relies on the standardized E-6 development process.
The selection of freshly manufactured emulsions boils down primarily to two remaining giants:
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Kodak Ektachrome E100: The current backbone of modern slide photography. This film delivers extremely fine grain, natural colors, and clean whites. It is widely available in 35mm format (36 exposures), 120 roll film, as well as for large format cameras.
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Fujichrome Provia 100F: Fujifilm’s faithful all-rounder, prized for its neutral color reproduction and outstanding sharpness. It continues to be offered in both 35mm and 120 roll film formats, though it is frequently out of stock due to irregular production cycles.
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Fujichrome Velvia 50 / 100: The top choice for landscape photographers seeking vibrant, highly saturated colors. While its distribution is heavily restricted by strict environmental regulations (especially Velvia 100 in the US), fresh batches or remaining stock can still be found in Europe and Asia depending on market conditions.
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Legacy films like the aforementioned Kodachrome or older emulsions like Agfachrome can no longer be processed using their original chemistry. Today, they serve collectors at best for experimental cross-processing in the lab.
Here you can see a gallery featuring advertisements for film stocks—both color reversal (slide) and color negative films.
Of course, you can also buy expired film, which is widely available on popular online marketplaces. Another great way to find unusual, experimental, and fun-to-shoot stocks is this shop (external link). The following gallery features photos captured on Kodak Ektachrome SE Duplicating Film SO-366. The film was exposed at speeds between ISO/ASA 3 to 9 and some of the images have been converted to black and white.
You can download the technical datasheet for Kodak SO-366 here.
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