Search Results

Hier stelle ich euch die Zeiss Ikon Contaflex Super BC im Detail vor. Sie bietet zwar nur eine begrenzte Anzahl von Satzobjektiven (ein Teil des optischen Systems, einschließlich Blende und Verschluss ist fest in der Kamera verbaut - sogenannte Satzobjektive werden mittels Bajonett an dieses System verbunden), dafür aber viele nützliche Komponenten wie z. B. einen integrierten Okularverschluss, Blendenautomatik mit Zeitvorwahl oder die rein manuelle Einstellung von Zeit und Blende. Viel Spaß! Contaflex Super BC Introduced in 1965, this camera evolved directly from the iconic Contaflex series—and its technical specs caused quite a stir at the time. Just like its predecessor, the Contaflex Super B, the Super BC offered automatic flash functionality alongside shutter-priority autoexposure. The groundbreaking innovation, however, was its exposure meter: it utilized a CdS (cadmium sulfide) cell to measure light directly through the taking lens ("TTL" — through the lens). This TTL metering system was the true sensation! Best of all, this advanced metering and automation worked seamlessly across the entire lineup of available lenses. Contaflex Super BC Year of construction: 1965-1971 Format: for 35mm film (24x36) Lenses: Set of lenses from Carl Zeiss Oberkochen. Tessar 2.8 / 50mm Pro-Tessar 3.2 / 35mm Pro-Tessar 4 / 115mm Older invoices: Pro-Tessar 4 / 35mm Pro-Tessar 4 / 85mm Apertures: 2.8 to 22 Shutter: Central shutter, permanently installed in the camera, the optical system of the shutter is part of the optical calculations of the available set of lens attachments Shutter speeds: 1; 1/2; 1/4; 1/8; 1/15; 1/30; 1/60; 1/125; 1/250; 1/500 sec. + Bulb Hot shoe and connection for wireless icon flashes Exposure meter: CdS exposure system with automatic aperture (can be switched off). No tracking measurement in manual mode Battery: PX 625 mercury 1.35 volts (no longer available, see text on the right) The battery is only required for exposure metering, otherwise the camera works fully mechanically. Film counter: yes, resettable (counting down in the elevator button) Viewfinder: Roof-edge SLR viewfinder No viewfinder image after taking the picture before the shutter is cocked again! Film advance: quick advance lever Rangefinder: yes, cross-section and fine grid ring Self-timer: yes Film sensitivities: DIN 12-27 / ISO-ASA 12 to 400 Additional: Tripod thread, eyepiece lock, interchangeable cassettes for films Contaflex Super BC Through-the-lens (TTL) metering was a game-changer, and still is today, because it automatically compensates for light loss caused by accessories like filters and extension tubes. The exposure meter is designed to run on a 1.35V PX625 mercury battery. However, manufacturing or importing these cells has been strictly banned in Europe and North America for years. While you might still find online sources shipping them from Russia—BE WARNED: importing these batteries is illegal and can lead to heavy penalties. To stay on the right side of the law, you can have your camera's meter adjusted to 1.5 volts, allowing you to use standard SR44 silver oxide or alkaline button cells. Another popular option is zinc-air batteries (like WeinCells). They deliver a near-perfect 1.4V, but keep in mind that they drain constantly once the air seal is broken, completely exhausting themselves after about 6 months even if the camera just sits on the shelf. To prevent battery drain, you can completely turn off the light meter by switching the central shutter selector away from the "A" position to any manual aperture setting. Contafelex Super BC Around 17,475 units of this model were produced. The photo below shows the camera equipped with the Pro-Tessar 115mm f/4 lens component. These convertible lenses lack a built-in focusing helicoid. Instead, focusing is done via two levers on the camera body itself, which shift the elements to lock onto your subject. Once focused, the distance value can be read and transferred to a scale on the lens attachment, making it easy to check your depth of field depending on the chosen aperture. When it comes to these classic lens attachments, there's only one way to describe them: A vintage dream made of glass, lots of glass, and solid metal! zurück zum Text Objektive Below is a brief gallery showcasing the Contaflex Super BC and some of its accessories. If you can work around the limited selection of focal lengths, you'll find that this is an incredibly rewarding 35mm SLR system. The ability to use interchangeable film backs is a rare and brilliant feature for a 35mm camera. It means you can swap film stocks on the fly based on your subject or the lighting situation—switching between C-41 color, black-and-white, ISO 100, or ISO 3200 mid-roll—and change them whenever you feel like it, without wasting a single frame! Contaflex Super BC - built-in eyepiece lock Ikoblitz 6 is triggered - in slow motion Self-timer and central locking do their job A picture gallery with a description Ein Blick durch den Sucher einer Contaflex Super BC. A view through the viewfinder of a Contaflex Super BC. Rechts sind die Blenden und Verschlußzeiten abzulesen. Die Verschlußzeit wird vorgewählt, die Blende ermittelt der eingebaute CDS-Belichtungsmesser (TTL-Messung). The apertures and shutter speeds can be read on the right. The shutter speed is preselected, the aperture is determined by the built-in CDS light meter (TTL metering). Ikoblitz in verschiedenen Ausführungen. Ikoblitz in various designs. Verwendet werden können z.B. Blitzlichtbirnen vom Typ XM 1/5/6 (Fa. Osram), Philips AG3 (mit Splitterschutz) und Philips PF1. Ein "B" in der Bezeichnung steht für die Verwendung mit Tageslichtfarbfilm. For example, you can use flashbulb types such as the Osram XM 1/5/6, the Philips AG3 (featuring an anti-shatter coating), and the Philips PF1. The letter "B" in the model name stands for daylight-balanced color film. Kompatibel sind beispielsweise Blitzbirnen-Typen wie die Osram XM 1/5/6, die Philips AG3 (mit integriertem Splitterschutz) sowie die Philips PF1. Das „B“ in der Modellbezeichnung weist dabei auf die Eignung für Tageslicht-Farbfilme hin. The following can be used, for example Flash bulbs of type XM 1/5/6 (Osram), Philips AG3 (with splinter protection) and Philips PF1. A "B" in the designation stands for use with daylight color film. Batteriefach - klicke für mehr Informationen! Battery tray - klick for more informations! Okularverschluß Eye piece lock Belichtungsmesser - klicke für mehr Informationen Light meter - klick for more informations! Belichtungsmesser - klicke für mehr Informationen Light meter - klick for more informations! X-Kontakt für Blitzgeräte contact for flashes Nahlinse von Carl Zeiss Close-up lens by Carl Zeiss The following pictures are with the Zeiss Ikon Contaflex Super BC and the lenses Pro Tessar 4/35, 3.2 / 35, 2.8 / 50, 4/85 and 4/115 were made. From a quality point of view, you can use any lens without hesitation - the results will convince and satisfy you! Bilder, die mit diesen Objektiven entstanden sind. Instructions for you to download can be found here! Zeiss Ikon Contaflex Super Super B Prima Prospekt Zeiss Ikon Contaflex Zubehör Zeiss Ikon Contaflex Super Bedienungsanleitung Contaflex Super Bedienungsanleitung Zeiss Ikon Contaflex Super Bedienelemente Zeiss Ikon Contaflex Super - Bedienelemente Zeiss Ikon Contaflex Wechselkassette Ikoblitz 5 Bedienungsanleitung Ikoblitz M Bedienungsanleitung Contaflex Prospekte etc. I love shooting with my Voigtländer Bessamatic cameras. I also often adapt the DKL lenses to my Sony A7 III—the Septon 50mm f/2 is a particular favorite of mine. Unfortunately, when it came to wide-angle lenses, Voigtländer topped out at a focal length of 35mm. Kodak, however, offered more flexibility for its Retina Reflex system, including the Rodenstock Eurygon 30mm f/2.8 and the Schneider-Kreuznach Curtagon 28mm f/4. Both camera systems (and several other brands) relied on the Compur bayonet designed by the Deckel company in Munich, widely known as the DKL mount or "Deutsche Einheitsbajonett." Sadly, they aren't directly interchangeable. The manufacturers introduced proprietary physical modifications to the mounts to prevent users from swapping lenses between competing systems. But there is a workaround: to mount Kodak Retina Reflex lenses onto a Voigtländer Bessamatic body, the lens mount requires a minor "surgical intervention" that you can see in the video below. A small metal tab on the bayonet simply needs to be milled or filed down. My son Julian handled the modification for me... it’s actually a breeze! Don't be afraid to try it yourself, and open up a whole new world of glass for your Voigtländer Bessamatic! Here is the video in German: Here you can see this video in english: Here you can see where the notch has to be milled. In my experience, it doesn't depend on the millimeter! You might also be interested in the following topics: Rollei 35 with Tessar 3.5 40mm & Rollei 35 S with Sonnar 2.8 40mm here is the article Nikon F5 the last AF-KB analog workhorse with changeable viewfinder here is the article Brochures of various systems here is the article Hasselblad V system here is the article Canon FD system here is the article all about film here is the article Filters for photography here is the article Kodak Motion Picture Film 3 here is the article Tips and Tricks here is the article different systems here is the article

The Canon FDn 4.0 35-70mm its the only lens that gave all analog Canon A, T und F series cameras the autofocus for SLR cameras, wich was still very rare in its time. Of course, you can also use the lens on your digital mirrorless cameras. All you need is a corresponding adapter. Since the autofocus module is in the lens, you can use all the functions of the FDn AF 4.0 35-70mm autofocus - just like on your Canon A, T or F model. The Canon FD system My favorite analog 35mm camera system. Canon FDn AF 4.0 35-70mm - another unusual standard zoom. Canon offered a fantastic lineup of standard zoom lenses for their FD-mount cameras. This included standout gems like the Canon nFD 35-70mm f/2.8-3.5, the Canon nFD 35-105mm f/3.5, and the optically superb Canon nFD 50-135mm f/3.5. The 35-70mm f/4.0 zoom featured here is perfect for anyone looking to explore the dawn of the autofocus era in the SLR market and enjoy some pure, "just for fun" photography. One thing is for sure: this lens is a guaranteed head-turner! Canon FD Gallery In this video you will get to know the lens and whether it is worth buying. - external link to YouTube - A visit to the homepage of the Canon Camera Museum is always worthwhile! (c) Canon Camera Hall / Canon Lens Hall: https://global.canon/en/c-museum/product/nfd247.html See for yourself with this colorful mix of sample photos and decide if the optical performance meets your standards. Personally, I find the lens to be very good when slightly stopped down, especially considering it was introduced back in 1981! 35mm - f8 35mm - f5,6 50mm - f8 50mm - f8 35mm - f8 70mm - f8 70mm - f5,6 50mm - f4 70mm - f8 You can find the user manual by clicking on the image below as a .pdf file for download!

Das Canon FDn 3,5 50-135mm war ein ungewöhnliches Standardzoom im Canon FD Programm. Es vereinte eine relativ hohe Lichtstärke mit einem Brennweitenbereich, der Fotografen ansprechen sollte, die eher ein Standartzoom vom Normalobjektiv und den leichten Telebrennweiten von 85, 100 und 135mm bevorzugen. Und es reiht sich ein in die hervorragende optische Qualität des berühmten Canon FDn 3,5 35-105mm. Erfahrt mehr auf dieser Seite! Canon nFD 3.5 50-135mm - an unusual standard zoom Canon offered a range of standard zoom lenses for cameras with FD bayonet. Among them were the fabulous goodies Canon (n)FD 2.8-3.5 35-70mm and Canon nFD 3.5 35-105mm. This 3.5 50-135mm zoom presented here is interesting for all those who like to combine a normal focal length with light telephoto lenses - and that with a relatively high speed of 3.5 in a compact design! Canon FD Gallery In this video you will get to know the lens and whether it is worth buying. - external link to YouTube - (c) Canon Camera Hall / Canon Lens Hall: https://global.canon/en/c-museum/product/nfd247.html Take a look at my colorful mix of example photos and decide whether the optical performance is sufficient for you. For me, this lens still gets a clear buy recommendation for your analog and digital camera, if you like this focal length, maybe in a pair with the Canon FDn 3.5 20-35mm L?! Click on the picture to enlarge it! 100mm - f5.6 70mm- f8 135mm - f8 135mm - f5.6 50mm macro position - f5.6 50mm macro position - f3.5 50mm macro position - f16 70mm - f5.6 135mm - f3.5 135mm - f5.6 50mm- f8 50mm macro position - f8 50mm macro position - f5.6 50mm macro position - f4.5

In meiner Jugend stand vor der Entscheidung: Canon FD oder ein anderes System. Als ich sie, die Canon A1, das erste Mal sah und in der Hand hielt wusste ich: dies ist meine Kamera, dies wird mein System. Die roten LEDs im Sucher verzückten mich und tun es noch heute! The Canon FD system My favorite analog 35mm camera system. Canon FD Gallery Canon A-1 A multi-mode camera featuring shutter priority, aperture priority, and full program autoexposure. What made this camera so unique for its time was that the lens's aperture ring remains locked in the "A" position for all of these automatic modes. By turning the main dial, you pre-select the shutter speed (Shutter Priority / Shutter-speed Preferred AE), and the camera automatically sets the matching aperture, communicating this directly to the lens. Alternatively, switching the dial allows you to select the aperture yourself (Aperture Priority / Aperture Preferred AE); the camera then transmits that aperture to the lens and calculates the exact exposure time needed for a perfect shutter speed. To this day, I still shoot with the Canon A-1, using aperture priority almost exclusively. A crucial accessory for me has become the diopter correction lens, which allows me to compose my shot and focus accurately through the viewfinder without wearing glasses. Visual impairments can easily be corrected with this handy little tool, as the specific correction lens simply screws onto the viewfinder eyepiece. Unfortunately, these useful accessories can now only be found second-hand. Canon New F-1 – The last professional camera with the FD mount A real workhorse. Seen here in a short video equipped with the Canon Winder FN and the AE Finder FN. With this configuration, the camera offers aperture priority (aperture preferred AE) through the use of the AE Finder FN, and shutter priority (shutter-speed preferred AE) by adding the Winder FN (or Motor Drive FN). The Canon New F-1 is my go-to setup for analog 35mm photography, paired with the Canon FD 35-70mm f/2.8-3.5 SSC (chrome nose). Canon AE1 program - more than just a backup A beautiful Canon SLR camera for the FD mount, offering both aperture priority and full program autoexposure. In program mode, the camera automatically calculates the ideal combination of shutter speed and aperture, depending on the lighting conditions and film speed. The film speed is listed right on the box (ISO, ASA, or DIN) and is usually part of the film's name. You can learn more about this further down this page or by checking out my YouTube channel, apertureonepointfour. Curious about what it actually looks like when peering through the viewfinder of an analog Canon SLR? I’ve put together a few examples for you. Next to your subject, you’ll see various viewfinder displays. These assist you in getting the perfect exposure, choosing the right shutter speed to avoid camera shake or motion blur, or isolating your main subject from the background with a shallow depth of field. Canon AV1 - you choose the aperture on the lens, the camera determines the appropriate exposure time (aperture priority with aperture preselection). The camera selected a 1/60 second to the manually selected aperture, the image is exposed correctly. Canon Kamera Blick durch den Sucher The camera cannot choose a suitable time. The image becomes too dark or, in other words, "underexposed". Canon T70 - a camera with motorized film transport, shutter control with time preselection, fully automatic exposure and digital display of the aperture value determined by the camera's exposure meter In this example, the camera selected an aperture of 4.5 - an aperture between 4.0 and 5.6 I present some cameras to you on YouTube - please have a look! Help - My Canon AE-1 Program Has Asthma! Cameras can also get sick. There are numerous YouTube videos that show how the problem can be eliminated with relative ease. Warning: I messed up a Canon A1 myself when I tried to repair it with too much oil, plus WD 40. Better buy other oils, for me special oils for cameras worked very well for further repairs - and used very sparingly! To help, I took an extra fine oil dispenser. 1 drop of oil is enough for some cameras! This is what Canon Asthma sounds like Canon FD - System - a small picture gallery Canon FD System Galerie Flash bulbs on the Canon A1 Using Flashbulbs on the Canon A-1 Even a Canon FD-system camera can still be used with flashbulbs—and bounce flash is even possible. In the following example, you can see a Canon A-1 paired with a Zeiss Ikon Ikoblitz 6. The flash unit requires a 15-volt battery that is no longer manufactured today (e.g., Varta V74PX). However, there are various adapters available on the market that hold ten 1.5-volt LR54 silver oxide button cells instead. As for the required flashbulbs, you can find them secondhand at various auction houses, or brand new (unpaid advertising) at: https://flashbulbs.com/ A Brief History of the Flashbulb Flashbulbs were patented on September 23, 1930, by physicist Johannes Ostermeier, an employee of the Hauser lamp factory in Augsburg, Germany. Before that, photographers used magnesium powder, which was detonated and flared up for several seconds. This was a rather dangerous way to generate light, as countless fire reports from that era prove. Shortly after, the patent was commercialized—in Germany under the name "Vacublitz" by the Osram company. The most decisive advantage: it was significantly safer than magnesium powder. The glass bulb minimized the risk of an explosion. "Burns are impossible with Vacu," the manufacturer's advertisement stated, continuing: "Fire cannot spread if you have Vacublitz in the house. The Vacublitz matches the brightness of the highest quality flash powder, but burns much faster and emits a more pleasant light, preventing startled faces in your photos. Your photo dealer can supply you with the Vacublitz for 1.25 Reichsmarks." Why Shoot with Flashbulbs Today? Quite simply: it looks cool, you stand out from the crowd, you don't rely on automatic flash programs, and—just like in the last millennium—it forces you to practice a slower, more conscious style of photography. As the website www.flashbulbs.com states: "Nothing matches the quality and quantity of light produced by a flash bulb. Small, portable, easy to ignite, and relatively inexpensive, flash bulbs are capable of delivering a tremendous amount of lighting from the palm of your hand. Certainly there are electronic flashes, lasers, and other high-tech methods of generating light, but they just don't match the size and characteristics of a simple flash lamp." Give it a try—it's pure fun... and after all, our hobby is all about having fun, right? Blitzbirnen an A1 Recommendation! The three best Canon FD standard zoom lenses for analog and digital! Canon has produced 10 different Canon FD / FDn standard zoom lenses - plus 2 AF lenses for the Canon FD bayonet. Which one should i buy? In this video I give you my recommendation from 35 years of experience with Canon FD / FDn lenses. Recommendation! The three best Canon FD standard zoom lenses for analog and digital! Here you can see the German version: Welches Standardzoom Who does not know that? After 30, 40 or 50 years the lens hood on your beloved Canon FD / FDn lens wobbles. But the remedy is very simple! Check out my short video! Gegenlichtblene wackelt Using an expired Kodak Ektachrome SE Duplicating film and the Canon F1n with magnifier viewfinder, I took a few macro shots. My clear recommendation is to use the magnifier finder if you want to get into macro photography - it offers a convenient view from above the camera! Here I offer you some great brochures from the 1980s for free download. Just click on the picture and the respective brochure will end up on your hard drive as a .pdf file! Have fun browsing - and if you want, donate me a glass of coke or a coffee to maintain and expand this website. Thanks!! 4 Canon FD Prospekte Practical, convenient, and extremely cool: motorized film advance for the Canon "A" series cameras. In this video, I introduce you to all three options available for automatic film transport. Have fun watching! (External video on YouTube) Canon A Filmtransport Canon offered a total of three different motorized advance systems for the A-series of the Canon FD system: Canon Winder A Canon Winder A2 Canon Motor Drive MA The Winder A was the first version of the motorized film advance. It is compatible with all A-series models. This winder does not have an adjustment dial for advance speed, but it advances film at a maximum speed of 2 frames per second (fps). This maximum speed requires a shutter speed in the range of 1/60 to 1/1000 second. With slower shutter speeds, the frame rate decreases accordingly down to single-frame advance. It requires four AA alkaline batteries or rechargeable batteries for operation. It measures 141x42x34mm and weighs approximately 300 grams, including batteries. The Winder A2 represents the further development of the Winder A. Depending on the selected shutter speed, it offers the option to choose between single-frame advance ("S") or continuous sequence advance ("C") at a maximum of 2 frames per second. Unfortunately, this specific mode selection only works with the A-1 and AE-1 Program models. With all other A-series models, the Winder A2 functions exactly like its predecessor, the Winder A. The Canon Motor Drive MA was primarily designed for use with the Canon A-1. In combination with the Canon A-1, it provides single-frame transport in the "S" setting, 2 frames per second in the "L" (Low) setting, or 5 frames per second in the "H" (High) setting—provided an appropriate shutter speed is selected. You can download the English user manual for the Winder A2 as a PDF file here: Essential Accessories for Canon A-Series and T-Series Cameras Whether you already own a classic Canon A-series SLR—like the AE-1, AE-1 Program, A-1, AT-1, AV-1, or AL-1—or you're planning to buy one, this guide is for you. Most of the gear featured here is also fully compatible with T-series models, including the T50, T60, T70, T80, and T90. These are the must-have additions to complete your setup! In this video, I’ll walk you through the most important accessories that belong in every photographer's kit. Viewfinder diopter correction lenses Body caps and rear lens caps Lens hoods Filters Action grips, eyecups, and viewfinder covers Power Winder A2 (A-series only) Data Back A (A-series only) Speedlite 299T flash Extension tubes Teleconverters (2x-A, 2x-B, 1.4x) Film rolls Zubehör A/T Kameras Canon AV1 My top recommendation for an inexpensive entry into the world of the analog Canon FD system. As you might already know from my other videos or from browsing my homepage, I almost exclusively use aperture priority for my exposure. I simply want to have full control over the depth of field, and this automatic mode offers the smoothest workflow. That’s why today, I’m introducing you to the Canon AV-1—an easy-to-use camera that relies entirely on aperture priority. Here is what Canon writes about this model in their official Canon Camera Museum: Launched: May 1979 Original price: 57,000 Yen (with the New FD 50mm f/2 lens) "Although it cost more to manufacture, cameras with shutter-speed priority automatic exposure control were important to Canon because users could understand shutter speed settings more easily than aperture settings. However, in America and other overseas markets, 35mm cameras with aperture priority were in the majority. Overseas dealers heavily demanded an aperture-priority model, and Canon responded with the AV-1. Along with the release of this camera, a new type of FD lens was introduced. These lenses allowed instant attachment and detachment and are called nFD (New FD) lenses. A budget-friendly FD lens, the 50mm f/2, was made available specifically for the AV-1." In the following video, I will walk you through all of the camera's features in detail. Enjoy the video! Canon AV1 Video

As you’ve probably noticed, the "Analogue Photography" menu features several submenus. They’re perfect for browsing and expanding your knowledge, while also taking you directly to our camera and lens reviews. For the latest updates, tests, and tips, be sure to check out "NEWS and MORE". You can find a complete site map of all pages under the "Index" menu! Here is a quick overview of some of my top content: Rollei 35 mit Tessar 3,5 40mm & Rollei 35 S mit Sonnar 2,8 40mm hier gehts zum Artikel Prospekte verschiedenster Systeme hier gehts zum Artikel Canon FD System hier gehts zum Artikel Hasselblad V-System hier gehts zum Artikel Nikon F5 das letzte AF-KB analoge Arbeitstier mit Wechselsucher hier gehts zum Artikel alles über Film hier gehts zum Artikel Filter für die Fotografie hier gehts zum Artikel Kodak Motion Picture Film 3 hier gehts zum Artikel Tipps und Tricks hier gehts zum Artikel verschiedene Systeme hier gehts zum Artikel

When I started photography in 1982, I mostly fed my camera slide film. I wanted to see my pictures large on the screen, and of course, high-quality images could also be produced from slides in a professional photo lab. Color reversal film slide film unframed 35mm slide film with a page size of 24x36mm. As slide film, slide film (from ancient Greek δία dia, German 'through') or reversal film is a photographic film that, after its development, shows gray values and colors in their natural view. As a rule, slide films are used so that the resulting recordings are projected onto a screen using a slide projector. To do this, the individual pictures must be framed. A typical slide film offers 36 pictures in small format, more rarely only 24 pictures. Slide films are cut into strips of 5 slides in the development laboratory. Until a few years ago it was possible for the laboratory to automatically frame the individual slides. Color reversal film slide film framed Frames without glass are used, as can be seen in the example below, but also slide frames with glass surfaces. The slides are framed behind glass, as is also done with pictures that we hang on the wall. The glass surfaces achieve a better flatness during the projection, as this ensures a uniform sharpness of the projection. Disadvantages were the higher cost of these frames, trapped dust, or Newton's rings. To avoid these color disturbances, slides can be framed under anti-Newton glasses. Newton's rings (also Newton's rings, named after Isaac Newton) are light-dark zones or interference colors that are created by interference at the air gap between two reflective, almost parallel surfaces. The range of slide films is manageable, but sufficient. Available today (as of November 2020) z. B. the Fuji 100 Provia F, Kodak Ektachrome E 100 and Fuji Velvia 50 or 100. Here is a gallery with advertisements for film material - color reversal films and color negative films. Of course, you can also buy films that have already passed their sell-by date. You can find them in abundance on the well-known Internet exchanges. Another possibility to get unusual films with a high fun factor is this store (external link) . In the following gallery you will find pictures taken with Kodak Ektachrome SE Duplicating Film SO-366. The film speed used was between ISO/ASA 3° to 9°, the photos were partly converted to B&W. Technical datasheet of the Kodak SO-366 for you to download. KB-Diafilm SO-366

Instant films allow you to obtain finished prints immediately after taking a photo. Polaroid pioneered the process in 1948 with integral films, in which development and imaging take place in a single step. In addition to its own integral films, Polaroid and Fuji also offered split-image films, in which the negative and positive are separated from each other after a short development time. Today they are only available to a limited extent, mostly superimposed. Fuji FP100c release film Fuji FP100c release film This picture was taken with a Polaroid back for the Mamiya Press on instant film Fuji FP100c. Polaroid 600 Polaroid 600 film Who doesn't know the legendary Polaroid photos? Family photos, party pictures, pictures to give away - what wasn’t all captured on Polaroidsofortfilm !!? A typical image defect can be seen in the picture on the right. The chemistry was not evenly distributed during ejection. Therefore, the rollers at the discharge chute should be cleaned regularly. This means that they can be moved easily and image errors are avoided. Fuji FP100c release film Fuji FP100c release film This picture was also taken with a Polaroid back for the Mamiya Press on the instant film Fuji FP100c and scanned with the Epson V850. Polaroid 600 Polaroid 600 Polaroid offered numerous models for the System 600. You can see an example here.

Probiert und für phänomenal befunden - Kodak Motion Picture Film 3 im Gesamtpaket von Silbersalz35 Kodak Motion Picture Film 3-250D Nikon F5 with Nikkor AF 2.8 35-70mm The Kodak Motion Picture Film 3 is offered in four different versions. You can get more information directly from the provider: www.silbersalz35.com Important! This is unpaid promotion, I'm just absolutely thrilled with this product! Kodak Motion Picture Film 3-250D Nikon F5 with Nikkor AF 2.8 35-70mm The following films are currently available (May 2021) available: 50D (daylight) 250D (daylight / daylight) 200T (tungsten / artificial light) 500T (tungsten / artificial light) The terms Daylight and Tungsten refer to the color coordination of the film. The film is sent to silver salt for developing (not a "normal" C41 negative process). At the same time, you will receive the images scanned - and in excellent quality. Important! This is unpaid promotion, I'm just absolutely thrilled with this product! Kodak Motion Picture Film 3-250D Nikon F5 with Nikkor AF 2.8 35-70mm These three pictures were created with the 250D daylight version ("D" stands for daylight). This is a film for filmmakers, which is wound into KB cartridges by the company. Important! This is unpaid promotion, I'm just absolutely thrilled with this product! New: 14K Apollon Scan by silbersalz An unprecedented resolution of approx. 14204 x 8820 scan resolution. Here you can learn everything about the fantastic scanning possibilities of silbersalz35. Check out more pictures, this time captured on the Kodak Motion Picture Film 500T. Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm, konvertiert in SW mit Photoshop CC Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm - im vollen Gegenlicht sind deutliche Überstrahlungen zu erkennen Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm

35mm black-and-white film was my preferred recording medium, alongside photography on slide film. I have developed thousands of these black-and-white films since 1982. My favorite films were Ilford Pan F, HP5, and later Kodak T-Max 400. A black and white negative film in a glassine protective sleeve. An Ilford Delta 400 was used here, my standard black and white negative film in the 1990s. Ilford writes about this film: "When it was launched, the ILFORD 400 DELTA revolutionized black and white photography and was therefore voted“ Europe's black and white film of the year 1991/92 ”. Its new“ core-shell ”crystal technology enabled a hitherto unknown, extraordinary image quality. Outstanding sharpness and fine grain of the negatives amazed experts and photographers alike. " "Despite their scale-setting properties, both films could be improved even further. In order to make this externally recognizable, the product name was extended by the addition of" PROFESSIONAL ". The 100 DELTA PROFESSIONAL and the one that has just been improved and therefore now differ from their predecessors renamed DELTA 400 PROFESSIONAL through the following improvements: - the sharpness of the negatives is a little higher, - underexposures are better tolerated, - the image quality suffers less with forced development (push development, see section 4.1), - the selection of suitable developers is greater. " "Despite their scale-setting properties, both films could be improved even further. In order to make this externally recognizable, the product name was extended by the addition of" PROFESSIONAL ". The 100 DELTA PROFESSIONAL and the one that has just been improved and therefore now differ from their predecessors renamed DELTA 400 PROFESSIONAL through the following improvements: - the sharpness of the negatives is a little higher, - underexposures are better tolerated, - the image quality suffers less with forced development (push development, see section 4.1), - the selection of suitable developers is greater. "

Thanks for your donation. With this you support the further maintenance and expansion of my site. I also use the donation to buy brochures, cameras, lenses and photographic accessories. So I can offer you new content in the future as well. And I keep saying "Thank you" for visiting my website and I hope you enjoy browsing! back to: Brochures and brochures