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When I started photography in 1982, I mostly fed my camera slide film. I wanted to see my pictures large on the screen, and of course, high-quality images could also be produced from slides in a professional photo lab. Color reversal film slide film unframed 35mm slide film with a page size of 24x36mm. As slide film, slide film (from ancient Greek δία dia, German 'through') or reversal film is a photographic film that, after its development, shows gray values and colors in their natural view. As a rule, slide films are used so that the resulting recordings are projected onto a screen using a slide projector. To do this, the individual pictures must be framed. A typical slide film offers 36 pictures in small format, more rarely only 24 pictures. Slide films are cut into strips of 5 slides in the development laboratory. Until a few years ago it was possible for the laboratory to automatically frame the individual slides. Color reversal film slide film framed Frames without glass are used, as can be seen in the example below, but also slide frames with glass surfaces. The slides are framed behind glass, as is also done with pictures that we hang on the wall. The glass surfaces achieve a better flatness during the projection, as this ensures a uniform sharpness of the projection. Disadvantages were the higher cost of these frames, trapped dust, or Newton's rings. To avoid these color disturbances, slides can be framed under anti-Newton glasses. Newton's rings (also Newton's rings, named after Isaac Newton) are light-dark zones or interference colors that are created by interference at the air gap between two reflective, almost parallel surfaces. The range of slide films is manageable, but sufficient. Available today (as of November 2020) z. B. the Fuji 100 Provia F, Kodak Ektachrome E 100 and Fuji Velvia 50 or 100. Here is a gallery with advertisements for film material - color reversal films and color negative films. Of course, you can also buy films that have already passed their sell-by date. You can find them in abundance on the well-known Internet exchanges. Another possibility to get unusual films with a high fun factor is this store (external link) . In the following gallery you will find pictures taken with Kodak Ektachrome SE Duplicating Film SO-366. The film speed used was between ISO/ASA 3° to 9°, the photos were partly converted to B&W. Technical datasheet of the Kodak SO-366 for you to download. KB-Diafilm SO-366

Instant films allow you to obtain finished prints immediately after taking a photo. Polaroid pioneered the process in 1948 with integral films, in which development and imaging take place in a single step. In addition to its own integral films, Polaroid and Fuji also offered split-image films, in which the negative and positive are separated from each other after a short development time. Today they are only available to a limited extent, mostly superimposed. Fuji FP100c release film Fuji FP100c release film This picture was taken with a Polaroid back for the Mamiya Press on instant film Fuji FP100c. Polaroid 600 Polaroid 600 film Who doesn't know the legendary Polaroid photos? Family photos, party pictures, pictures to give away - what wasn’t all captured on Polaroidsofortfilm !!? A typical image defect can be seen in the picture on the right. The chemistry was not evenly distributed during ejection. Therefore, the rollers at the discharge chute should be cleaned regularly. This means that they can be moved easily and image errors are avoided. Fuji FP100c release film Fuji FP100c release film This picture was also taken with a Polaroid back for the Mamiya Press on the instant film Fuji FP100c and scanned with the Epson V850. Polaroid 600 Polaroid 600 Polaroid offered numerous models for the System 600. You can see an example here.

Probiert und für phänomenal befunden - Kodak Motion Picture Film 3 im Gesamtpaket von Silbersalz35 Kodak Motion Picture Film 3-250D Nikon F5 with Nikkor AF 2.8 35-70mm The Kodak Motion Picture Film 3 is offered in four different versions. You can get more information directly from the provider: www.silbersalz35.com Important! This is unpaid promotion, I'm just absolutely thrilled with this product! Kodak Motion Picture Film 3-250D Nikon F5 with Nikkor AF 2.8 35-70mm The following films are currently available (May 2021) available: 50D (daylight) 250D (daylight / daylight) 200T (tungsten / artificial light) 500T (tungsten / artificial light) The terms Daylight and Tungsten refer to the color coordination of the film. The film is sent to silver salt for developing (not a "normal" C41 negative process). At the same time, you will receive the images scanned - and in excellent quality. Important! This is unpaid promotion, I'm just absolutely thrilled with this product! Kodak Motion Picture Film 3-250D Nikon F5 with Nikkor AF 2.8 35-70mm These three pictures were created with the 250D daylight version ("D" stands for daylight). This is a film for filmmakers, which is wound into KB cartridges by the company. Important! This is unpaid promotion, I'm just absolutely thrilled with this product! New: 14K Apollon Scan by silbersalz An unprecedented resolution of approx. 14204 x 8820 scan resolution. Here you can learn everything about the fantastic scanning possibilities of silbersalz35. Check out more pictures, this time captured on the Kodak Motion Picture Film 500T. Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm, konvertiert in SW mit Photoshop CC Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm - im vollen Gegenlicht sind deutliche Überstrahlungen zu erkennen Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Tessar 2,8 50mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm Kodak Motion Picture Film 500T Contaflex Super BC mit Pro Tessar 3,2 35mm

35mm black-and-white film was my preferred recording medium, alongside photography on slide film. I have developed thousands of these black-and-white films since 1982. My favorite films were Ilford Pan F, HP5, and later Kodak T-Max 400. A black and white negative film in a glassine protective sleeve. An Ilford Delta 400 was used here, my standard black and white negative film in the 1990s. Ilford writes about this film: "When it was launched, the ILFORD 400 DELTA revolutionized black and white photography and was therefore voted“ Europe's black and white film of the year 1991/92 ”. Its new“ core-shell ”crystal technology enabled a hitherto unknown, extraordinary image quality. Outstanding sharpness and fine grain of the negatives amazed experts and photographers alike. " "Despite their scale-setting properties, both films could be improved even further. In order to make this externally recognizable, the product name was extended by the addition of" PROFESSIONAL ". The 100 DELTA PROFESSIONAL and the one that has just been improved and therefore now differ from their predecessors renamed DELTA 400 PROFESSIONAL through the following improvements: - the sharpness of the negatives is a little higher, - underexposures are better tolerated, - the image quality suffers less with forced development (push development, see section 4.1), - the selection of suitable developers is greater. " "Despite their scale-setting properties, both films could be improved even further. In order to make this externally recognizable, the product name was extended by the addition of" PROFESSIONAL ". The 100 DELTA PROFESSIONAL and the one that has just been improved and therefore now differ from their predecessors renamed DELTA 400 PROFESSIONAL through the following improvements: - the sharpness of the negatives is a little higher, - underexposures are better tolerated, - the image quality suffers less with forced development (push development, see section 4.1), - the selection of suitable developers is greater. "

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Polaroid actually had 35 mm instant films in its range, but these are almost forgotten today. These products were called Polachrome, Polapan, and Polablue. They were 35 mm slide films that did not need to be sent to a photo lab after exposure, but were developed directly on site in a small, handy “AutoProcessor.” There were three types of film: Polachrome: color slide film (ISO 40) Polapan: black-and-white slide film (ISO 125) Polablue: special film with a blue color cast for graphic effects Polachrome Actually a great idea. A color slide film that was (is) easy to develop at home immediately after exposure and the photographer holds the slides in his hands after just 5 minutes of development with preparation and follow-up. No wet hands, no measuring of water and chemicals and no darkroom were necessary. A development pack was included with every film. The film and the development pack went into a Polaroid auto processor and were developed there. More on this in the video. Unfortunately, Polaroid discontinued its portfolio of these films in the early 2000s. The Polachrome was an instant color slide film. Polapan In addition to the three types of film mentioned here, Polaroid also produces the Polablue CN, a blue-on-white film with 8 ASA / ISO. The Polapan was a black and white slide film with 125 ASA / ISO, which was offered with 12 or 36 exposures. In 2021 I would recommend the films Polapan and Polagraph for a fun day of photography. Unfortunately, I was only able to develop one of 5 polachrome films, with all the others this failed due to the dried-up chemistry of the development pack. Polagraph Polagraph films were high-contrast black and white films that were particularly suitable for capturing motifs such as tables and graphics - or were used artificially. The above picture of the viewfinder was made with a Polagraph film; the other two pictures (Hasselbald and film packaging) with a Polachrome film. As long as there are still overlaid films - buy one!

Zwei klassische Profi-Nikkore AF 2,8 35-70mm und AF 2,8 80-200mm ED zusammen mit dieser Kamera bilden ein qualitativ hochwertiges und tolles Set zum Einsteigen in die Welt der digitalen Vollformatfotografie. Mehr Informationen bekommt ihr heir auf dieser Seite und im verlinken Video. Nikon D600 (FX) Again a Nikon camera found a new home with me. After I got some classic Nikon lenses as gifts ( -THANKS to Maja- ) Nikon AF 2.8 35-70mm and Nikon AF 2.8 80-200mm - a Sigma AF 3.5 18mm and a Tokina AF AT-X 4.5-5.6 80-400mm with rod output were also there), the Nikon F5 found its way into my home first. A fantastic analogue camera! It would be nice if I could also use these treasures of Japanese lens construction digitally. Spontaneously, the two older Nikon Body D600 (610) and D800 (810) came to mind. After I found out a little bit about this camera and searched in auction houses, it quickly became clear to me: it has to be this camera. I did a quick calculation and found that with just under 750 euros (as of April 2022) it is possible for anyone to get into digital full-frame photography, because this price is for the package of a Nikon D600 and the two Nikon lenses AF 2.8 35-70mm and AF 2.8 80-200mm ED due. More about this in the video on YouTube. Nikon D600 (FX) In the near future I will be using the camera extensively and will share my experiences with this camera-lens combination with you. My first impression is: digital full format with two classic Nikon professional lenses at a reasonable price! Here you can see the first pictures that were taken with the Nikon D600 Nikon wrote about this camera on their homepage: 24.3 megapixel FX format (full frame) CMOS sensor Outstanding signal-to-noise ratio and large dynamic range. Delivers detailed images with smooth color transitions. Highly sensitive autofocus module Multi-CAM4800 with 39 measuring fields Responsive coverage of almost the entire field of view. Sensitivity down to -1 EV and compatibility from a minimum aperture of 1:8. ISO 100 to 6,400 Expandable up to 25,600 (equivalent) and down to 50 (equivalent). Enables sharp, low-noise images through short exposure times. D-Movie with field adjustment Records Full HD (1080p) movies in FX and DX format at 30p, 25p, and 24p frame rates. Maximum recording time of about 29 minutes 59 seconds. Provides uncompressed HDMI output to external devices as well as Hi-Fi audio control. EXPEED 3 Image processing engine with 14-bit A/D conversion and 16-bit image processing for exceptional tonal richness. HDR (High Dynamic Range) Ideal for high-contrast motifs. With a single release, two exposures are superimposed into one image. The result shows a high dynamic range, low noise, good highlight and shadow definition and fine tonal gradation. Active D-Lighting: This captures more detail in high-contrast lighting conditions. Nikon's Active D-Lighting automatically improves the details in dark and bright areas and creates a natural contrast in the image. Scene recognition system: The camera's image sensor and the 2,016-pixel RGB sensor provide precise data to the scene recognition system; this optimizes exposure, autofocus and white balance immediately before the shutter release point, creating precise exposures and razor-sharp images. Time-lapse photography: Use interval photography to capture images at set intervals. With time-lapse recording, you can save images as movie files and view slow-moving events in time-lapse, at playback rates from 24x to 36,000x speed. Picture Controls allow you to fine-tune the appearance of photos and videos before they are taken, such as sharpness, color saturation, and hue. Precise 8 cm (3.2 inch) VGA monitor with approx. 921,000 pixels and automatic monitor brightness control. Provides bright and sharp image reproduction with high color rendering capability. Brilliant, large viewfinder with approx. 100% frame coverage and 0.7x magnification. Provides viewfinder masking when shooting in DX format. Continuous shooting at 5.5 fps captures the action, even with fast-moving subjects. Quiet shutter release: This mode is ideal for discreet shots, as the noise of the mirror slap is noticeably reduced. Mirror Mass Balance: Brings the mirror to a standstill faster, allowing more time to look through the viewfinder and autofocus meter between exposures when shooting continuously. This is one of the reasons that the D600 offers precise autofocus and focus tracking even with fast continuous shooting. Compact, light and robust: The camera also defies harsh conditions. The top and back covers are made of magnesium alloy, so the camera weighs only 760g (excluding the battery). The camera is just as well protected against the ingress of moisture and dust as the professional Nikon D800 SLR camera. Dual-Axis Electronic Virtual Horizon: You can check both the camera's position in relation to the horizon and its tilt angle (forward or backward) at any time on the monitor or in the viewfinder. Double SD memory card compartment: Two memory card compartments ensure even more flexibility when taking photos. Use the second card as a reserve. It is also possible to take pictures and films separately. SDXC and UHS-I compatible.Wireless transfer: With the optional Nikon Wireless Mobile Adapter WU-1b, you can transfer images directly from the D600 to a smartphone or tablet computer, or control your camera remotely via such a device." Source, as of 04/2022: https://www.nikon.de/de_DE/product/discontinued/digital-cameras/2013/d600#overview:

Kodak Eastman Doube-X Motion Picture film. A black and white film for filmmakers and photographers who aspire to capture the world only they see it. Here you see home developed (Kodak D76) and scanned (Epson V850) films. Kodak Eastman Double-X Motion Picture Film For filmmakers and photographers who want to capture the world as they see it! EASTMAN DOUBLE-X negative film 5222 (35mm) / 7222 (16mm) offers the subtleties in tone and scale required for greater depth of field and high quality low-light photography. Kodak Eastman Double-X Motion Picture Film My development I recommend the use of Kodak D76 developer or alternative products of the same composition. Here I show you pictures taken with the Double-X film at ISO / ASA 400. I developed the film in D76 stock solution at 20°C for 9 minutes. Kodak Eastman Double-X Motion Picture Film I used my Epson V850 scanner. I then edited the scans in Photoshop CS, mainly removing dust and scratches and correcting the image section if necessary. You can download the datasheets here: E astman Kodak Double-X Film Kodak D76 Developer Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film Kodak Double-X-Pan 5222 Motion Picture Film and Epson V850 Scanner Kodak Double-X-Pan 5222 Motion Picture Film and Epson V850 Scanner

Tauche ein in die Welt der analogen Fotografie und lerne verschiedene Systeme kennen. Zum Schmöckern, Wissen vertiefen, Interessantes erfahren, erstaunt sein, zum Träumen - doch Vorsicht! Das Haben-Will-Gefühl stellt sich schnell ein... Discover my site! On my site there are not only brochures and manuals! Dive into the world of analog, hybrid and digital photography and have a look around - use the search function on the top right of my pages and the index! Have fun browsing! Index Back here - brochures, instructions and advertising / Part 1 Brochures/leaflets - continue - again brought to you in the highest quality - Hasselblad Motorkameras Hasselblad XPan lenses Hasselblad Sales Manual Hasselblad Superachromat - Objektive Hasselblad - Das System 1991 (German) Hasselblad Das System - The System Hasselbald Magazin 72 _ Dezember 1982 (German) Carl Zeiss lenses, year 2000 Schneider Kreuznach Large Format lenses (German) G-Claron large format lenses Leitz Diaprojektoren 1933 - Leitz Slide projektor 1933 (German) Contax Real Time System Minolta SLR Systemführer / Minolta SLRSystem guide (German) Minolta Motor Drive MD-90 for Minolta AF 9000 Mamiya Universal Press Mamiya Universal Accessories Pentax Spotmeter V - fleyer Pentax Spotmeter V - Sales fleyer Nikon Large Format Lenses Voigtländer Prospekt von 09.2018 (German) Hasselblad Systemübersicht (German) Hasselblad Neuheiten von 1972 (German) Die Geschichte von Victor Hasselbald (German) Schneider Kreuznach Variogon 5.6/140-280mm für Hasselblad Pentax 645 N II Operating manual Back here - even more brochures, manuals and advertising / Part 1